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EDITORIAL
Neal Zaslaw
Jean-Marie Leclair l’aîné (1697-1764)
ARTICLES
Michael Talbot
Eight ‘Double-Stopped’ Fugues in A Major: Essays in the Union of Counterpoint and Violinistic Virtuosity by Corelli, Bitti, Albinoni, Carbonelli and Zuccari
Nancy November
Editing Beethoven’s Middle-Period Quartets: Performers, Scholars and Sources in Dialogue
Luca Lévi Sala
An Unpublished Letter by Mieczysław Karłowicz and Other Previously Unknown Documents. The «Souvenirs inédits de Frédéric Chopin»: New Evidence
Rosemary Golding
Organ Recitals, Education, Repertoire, and a New Musical Public in Nineteenth-Century Edinburgh
Susan Wollenberg
Musical Life in a University City: The Development of Concert Culture in Nineteenth-Century Oxford
Tatiana Debroux, Valérie Dufour, Catherine A. Hughes, Christopher Brent Murray
Toward Mapping Recitals in «fin-de-siècle» Brussels
REVIEW ARTICLES
Michael F. Vincent
Geminiani Studies
Edward Klorman
Mai Kawabata, Paganini: The ‘Demonic’ Virtuoso
Walter Kurt Kreyszig
Boccherini Studies: Volume 3
Warwick Lister
The Journals and Letters of Susan Burney: Music and Society in Late Eighteenth-Century England
REVIEWS
Nancy November
Pippa Drummond, The Provincial Music Festival in England, 1784-1914
Federico Gon
Stephen Rumph, Mozart and Enlightenment Semiotics
Beatriz Hernández Polo
Materiales Didácticos que apoyan el proceso de enseñanza-aprendizaje de disciplinas musicales y musicológicas
Mariateresa Dellaborra
Paola Palermo – Giulia Pecis Cavagna, La cappella musicale di Santa Maria Maggiore a Bergamo dal 1657 al 1810
Maria Teresa Arfini
Fabrizio Ammetto, I concerti per due violini di Vivaldi
REPORTS
Jorge Fonseca
«El Cuarteto de cuerda en España de fines del siglo xviii hasta la actualidad» Universidad de Granada (20-21 marzo de 2014)
NEWS
Forthcoming Conferences - Call for Papers
Contributors
Books Received
Abstracts
Index of Names
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